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<channel>
	<title>annettakapon.com</title>
	<link>https://annettakapon.com</link>
	<description>annettakapon.com</description>
	<pubDate>Sun, 27 Aug 2017 22:12:14 +0000</pubDate>
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	<item>
		<title>Sculpture and Installation </title>
				
		<link>https://annettakapon.com/Sculpture-and-Installation</link>

		<pubDate>Fri, 07 Apr 2017 00:42:55 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/Sculpture-and-Installation</guid>

		<description>&#38;nbsp; &#38;nbsp;



&#38;nbsp; &#38;nbsp;&#38;nbsp;
&#38;nbsp; &#38;nbsp;
	
&#60;img width="600" height="393" width_o="600" height_o="393" data-src="https://freight.cargo.site/t/original/i/f534194e9315a1e7a9b952515f52701df8661ad8c8cd35301c74ceed29d40b01/marble-camera-smaller-1984.jpg" data-mid="13072102" border="0"  src="https://freight.cargo.site/w/600/i/f534194e9315a1e7a9b952515f52701df8661ad8c8cd35301c74ceed29d40b01/marble-camera-smaller-1984.jpg" /&#62;

Marble Camera 1984

&#60;img width="576" height="870" width_o="576" height_o="870" data-src="https://freight.cargo.site/t/original/i/f3411a948d15b37b67888151d918b50fffebc226eb45ced0befe00034c60ee60/19floorscale.jpg" data-mid="27674742" border="0"  src="https://freight.cargo.site/w/576/i/f3411a948d15b37b67888151d918b50fffebc226eb45ced0befe00034c60ee60/19floorscale.jpg" /&#62;
Floor Scale, 1991 (Installation View)

&#60;img width="800" height="600" width_o="800" height_o="600" data-src="https://freight.cargo.site/t/original/i/3fc9b3f1bb17cc4e137e3ec6e39e42df119c190168de20ae5c38ee642174a145/9.-Art-Science-Technology.JPG" data-mid="3088995" border="0"  src="https://freight.cargo.site/w/800/i/3fc9b3f1bb17cc4e137e3ec6e39e42df119c190168de20ae5c38ee642174a145/9.-Art-Science-Technology.JPG" /&#62;



&#60;img width="612" height="792" width_o="612" height_o="792" data-src="https://freight.cargo.site/t/original/i/3658ae60bcc723bed49dd750ae0fc954b9a8bdc9c0305dffe94344cbf1ceb55a/too-much-not-enough-1992.jpg" data-mid="2739609" border="0"  src="https://freight.cargo.site/w/612/i/3658ae60bcc723bed49dd750ae0fc954b9a8bdc9c0305dffe94344cbf1ceb55a/too-much-not-enough-1992.jpg" /&#62;
Too Much Not Enough 1992

&#60;img width="1579" height="1005" width_o="1579" height_o="1005" data-src="https://freight.cargo.site/t/original/i/560397e4f37434d5dc50e2decf8eca8160c66f465335b96eb097461e97a8c3ee/colander-1991.jpg" data-mid="13071982" border="0"  src="https://freight.cargo.site/w/1000/i/560397e4f37434d5dc50e2decf8eca8160c66f465335b96eb097461e97a8c3ee/colander-1991.jpg" /&#62;
Colander, 1991 aluminum, fiberglass, water


&#60;img width="3720" height="2340" width_o="3720" height_o="2340" data-src="https://freight.cargo.site/t/original/i/a197b674438b1f2cbc3708a19f80c8e62d8307afe1a958c6e9944542025689d5/Anetta-s-big-teapot2.jpg" data-mid="53714866" border="0"  src="https://freight.cargo.site/w/1000/i/a197b674438b1f2cbc3708a19f80c8e62d8307afe1a958c6e9944542025689d5/Anetta-s-big-teapot2.jpg" /&#62;
Teapot, 2006, mahogany, bamboo, monkey pod, oak, walnut, teakwood, 96” x66”x3”
Collection of Gloria and Sonny Kamm


&#60;img width="576" height="235" width_o="576" height_o="235" data-src="https://freight.cargo.site/t/original/i/223c349bd353433acd000df5e39e55ca3321c3a84a9390a40e7d9adebb0cfda6/2016-10-04-22.38.48.jpg" data-mid="13832225" border="0"  src="https://freight.cargo.site/w/576/i/223c349bd353433acd000df5e39e55ca3321c3a84a9390a40e7d9adebb0cfda6/2016-10-04-22.38.48.jpg" /&#62;
Biscotto 2017 tufting on foam


&#60;img width="325" height="432" width_o="325" height_o="432" data-src="https://freight.cargo.site/t/original/i/ecdb8fd76d7cad7ecab3ae3dea210b9972fb8fc4d12cbd4ca19df40d877e23ef/2016-10-27-20.22.33.jpg" data-mid="13832226" border="0"  src="https://freight.cargo.site/w/325/i/ecdb8fd76d7cad7ecab3ae3dea210b9972fb8fc4d12cbd4ca19df40d877e23ef/2016-10-27-20.22.33.jpg" /&#62;

In-Somnia 2017

&#60;img width="432" height="324" width_o="432" height_o="324" data-src="https://freight.cargo.site/t/original/i/a25bad1168eece5ceea8966bbb37c80bf141ae1d4bee2bc94c891d98134fedd4/_A200161.jpg" data-mid="13832224" border="0"  src="https://freight.cargo.site/w/432/i/a25bad1168eece5ceea8966bbb37c80bf141ae1d4bee2bc94c891d98134fedd4/_A200161.jpg" /&#62;In-Somnia,&#38;nbsp;detail

&#60;img width="480" height="640" width_o="480" height_o="640" data-src="https://freight.cargo.site/t/original/i/e934598a5c1d53a9c92d51554d78470106b5e7b4728c172dda3f437f5132de06/Imprint-Memory.JPG" data-mid="205175659" border="0"  src="https://freight.cargo.site/w/480/i/e934598a5c1d53a9c92d51554d78470106b5e7b4728c172dda3f437f5132de06/Imprint-Memory.JPG" /&#62;
Imprint, Memory ink on foam, 2018

&#60;img width="292" height="438" width_o="292" height_o="438" data-src="https://freight.cargo.site/t/original/i/a8c403399dee6390b002f90993f52a45f4d74f040f21af87551a80f98ea0990d/venus.jpg" data-mid="14164568" border="0"  src="https://freight.cargo.site/w/292/i/a8c403399dee6390b002f90993f52a45f4d74f040f21af87551a80f98ea0990d/venus.jpg" /&#62;
Venus de Milo 1991 Corrugated cardboard



	&#60;img width="500" height="419" width_o="500" height_o="419" data-src="https://freight.cargo.site/t/original/i/41d16adde708c82c49e1d3ca6801930bc2080bee3f4b562eaa4a1896bcf50fdd/Gap-between.jpg" data-mid="13072124" border="0"  src="https://freight.cargo.site/w/500/i/41d16adde708c82c49e1d3ca6801930bc2080bee3f4b562eaa4a1896bcf50fdd/Gap-between.jpg" /&#62;

Gap Between Rich and Poor, 2004
&#38;nbsp;
&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/def8aceb3d0207503ecc8bb47a27f923aec84e4bb6053cde3624325ca09e5218/IMG_2746.jpg" data-mid="26928480" border="0"  src="https://freight.cargo.site/w/1000/i/def8aceb3d0207503ecc8bb47a27f923aec84e4bb6053cde3624325ca09e5218/IMG_2746.jpg" /&#62;July Kamikaze Exhibition PØST gallery
July 26, 2018 Installation View: Biscotto and Imprint 2018
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/8b1dc81affeaed0b41a356af1ed2bd8b4597f77a4490fde273b4f301a92c79bc/IMG_2737.jpg" data-mid="26928486" border="0"  src="https://freight.cargo.site/w/1000/i/8b1dc81affeaed0b41a356af1ed2bd8b4597f77a4490fde273b4f301a92c79bc/IMG_2737.jpg" /&#62;
July Kamikaze Exhibition PØST gallery
July 26, 2018 Installation View: Insomnia and Damask Dreams.

&#60;img width="1250" height="938" width_o="1250" height_o="938" data-src="https://freight.cargo.site/t/original/i/d76d82616e5b10cefd2d6618c71692776e5ec105d62036328dc6469fa244402b/Freeways-Study-installation.jpg" data-mid="2739596" border="0"  src="https://freight.cargo.site/w/1000/i/d76d82616e5b10cefd2d6618c71692776e5ec105d62036328dc6469fa244402b/Freeways-Study-installation.jpg" /&#62;

Freeway Studies #2: Inside the Quad April 12 through July 27, 2014, Ben Maltz Gallery

&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/b8e9958bcd06786a31c8773957032591d846af1be02b2af2d3b3706a5b7d371e/Meow-2-2006-29X13X4.JPG" data-mid="13072199" border="0"  src="https://freight.cargo.site/w/1000/i/b8e9958bcd06786a31c8773957032591d846af1be02b2af2d3b3706a5b7d371e/Meow-2-2006-29X13X4.JPG" /&#62;
Meow, 2005, 11”x32”x3”, fabric and wire
&#60;img width="432" height="324" width_o="432" height_o="324" data-src="https://freight.cargo.site/t/original/i/6b7630424590472577daa05cf71b8e1483f54f2c6aa6a01533ce5b2bf4011469/2016-10-04-22.38.06.jpg" data-mid="13832227" border="0"  src="https://freight.cargo.site/w/432/i/6b7630424590472577daa05cf71b8e1483f54f2c6aa6a01533ce5b2bf4011469/2016-10-04-22.38.06.jpg" /&#62;Damask Dream 2017 acrylic on foam

&#60;img width="1092" height="1614" width_o="1092" height_o="1614" data-src="https://freight.cargo.site/t/original/i/23ae863bf7261ca9bec73921bab1a0b80f375326cf864f86e87b6a8c3638f470/Owls-to-AthensLarge.jpg" data-mid="14165341" border="0"  src="https://freight.cargo.site/w/1000/i/23ae863bf7261ca9bec73921bab1a0b80f375326cf864f86e87b6a8c3638f470/Owls-to-AthensLarge.jpg" /&#62;
Owls to Athens 1997

&#60;img width="360" height="238" width_o="360" height_o="238" data-src="https://freight.cargo.site/t/original/i/ab2870a375734fc8f5dc6bcbca487322f82f4c49d091ec0c0260d4a48610df8e/17.-blues-for-moses.jpg" data-mid="3093478" border="0"  src="https://freight.cargo.site/w/360/i/ab2870a375734fc8f5dc6bcbca487322f82f4c49d091ec0c0260d4a48610df8e/17.-blues-for-moses.jpg" /&#62;
Blues for Moses, vinyl and jute 200&#60;img width="1477" height="1080" width_o="1477" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1407c436925e4806c94dcc114026548a832ea7de958473f1b1cca12d8ed7bc35/excuse-2000.jpg" data-mid="205173112" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/1407c436925e4806c94dcc114026548a832ea7de958473f1b1cca12d8ed7bc35/excuse-2000.jpg" /&#62;
Excuse, wood, 2000&#60;img width="1576" height="1044" width_o="1576" height_o="1044" data-src="https://freight.cargo.site/t/original/i/5a553ca3cac5c314335ffaf009f5bddf25a8ad373ec0ac0524ad4a946dedf75e/Guise.jpg" data-mid="205173494" border="0"  src="https://freight.cargo.site/w/1000/i/5a553ca3cac5c314335ffaf009f5bddf25a8ad373ec0ac0524ad4a946dedf75e/Guise.jpg" /&#62;
Guise, wood, 2000&#60;img width="1536" height="1069" width_o="1536" height_o="1069" data-src="https://freight.cargo.site/t/original/i/c8a98bd19fe4d533cb614813f0a1476ddf69f7df95987185688da371bdc73605/Guise..jpg" data-mid="205173565" border="0"  src="https://freight.cargo.site/w/1000/i/c8a98bd19fe4d533cb614813f0a1476ddf69f7df95987185688da371bdc73605/Guise..jpg" /&#62;wood, 2000


&#60;img width="360" height="231" width_o="360" height_o="231" data-src="https://freight.cargo.site/t/original/i/3c208f052296ca839ae022acd84f55eeaa67cd4c03415fe641060ba6268a20d3/IMG_1940.JPG" data-mid="205174970" border="0"  src="https://freight.cargo.site/w/360/i/3c208f052296ca839ae022acd84f55eeaa67cd4c03415fe641060ba6268a20d3/IMG_1940.JPG" /&#62;
wood, 2000
&#60;img width="1250" height="938" width_o="1250" height_o="938" data-src="https://freight.cargo.site/t/original/i/d76d82616e5b10cefd2d6618c71692776e5ec105d62036328dc6469fa244402b/Freeways-Study-installation.jpg" data-mid="2739596" border="0"  src="https://freight.cargo.site/w/1000/i/d76d82616e5b10cefd2d6618c71692776e5ec105d62036328dc6469fa244402b/Freeways-Study-installation.jpg" /&#62;Freeway Studies #2: Inside the Quad April 12 through July 27, 2014, Ben Maltz Gallery
&#60;img width="864" height="576" width_o="864" height_o="576" data-src="https://freight.cargo.site/t/original/i/de6533d498aba0260735571ee969f0f936cd7ca9405217c3125a508c3f563871/13laundry-2.jpg" data-mid="2739602" border="0" data-scale="73" src="https://freight.cargo.site/w/864/i/de6533d498aba0260735571ee969f0f936cd7ca9405217c3125a508c3f563871/13laundry-2.jpg" /&#62;&#38;nbsp; &#38;nbsp;Laundry, 2008 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1620" height="1089" width_o="1620" height_o="1089" data-src="https://freight.cargo.site/t/original/i/f5d563ea1e1c779ef22ed78eaad07643d88aadc59738e1567ab1fd07698b44b8/crib-1992.jpg" data-mid="237258909" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/f5d563ea1e1c779ef22ed78eaad07643d88aadc59738e1567ab1fd07698b44b8/crib-1992.jpg" /&#62;Crib, 1992</description>
		
	</item>
		
		
	<item>
		<title>Annetta Kapon</title>
				
		<link>https://annettakapon.com/Annetta-Kapon</link>

		<pubDate>Mon, 21 Aug 2017 00:07:36 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

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		<description>
Annetta Kapon : Artist





&#60;img width="450" height="375" width_o="450" height_o="375" data-src="https://freight.cargo.site/t/original/i/7d195944841496510a934c539755f4551136bea87442491a879467043f9912fc/Proxy.jpg" data-mid="13943076" border="0"  src="https://freight.cargo.site/w/450/i/7d195944841496510a934c539755f4551136bea87442491a879467043f9912fc/Proxy.jpg" /&#62;
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&#60;img width="450" height="450" width_o="450" height_o="450" data-src="https://freight.cargo.site/t/original/i/3704c94ef4d8674951ecf08b8022967c530ac796701f76c11da86bdd00757566/Sculpture.jpg" data-mid="27674664" border="0"  src="https://freight.cargo.site/w/450/i/3704c94ef4d8674951ecf08b8022967c530ac796701f76c11da86bdd00757566/Sculpture.jpg" /&#62;
&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/aa54267a9c6293f35f7247a8538df44ba6d8500a7cac6c8c528345e7a8bec545/Bio.jpg" data-mid="27674660" border="0"  src="https://freight.cargo.site/w/800/i/aa54267a9c6293f35f7247a8538df44ba6d8500a7cac6c8c528345e7a8bec545/Bio.jpg" /&#62;
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&#60;img width="450" height="450" width_o="450" height_o="450" data-src="https://freight.cargo.site/t/original/i/0c52050f82f34d737cf066e4f7be620cda9ed0623a03d475b5c086ca37b2d91b/Writing.jpg" data-mid="27674665" border="0"  src="https://freight.cargo.site/w/450/i/0c52050f82f34d737cf066e4f7be620cda9ed0623a03d475b5c086ca37b2d91b/Writing.jpg" /&#62;
&#60;img width="800" height="534" width_o="800" height_o="534" data-src="https://freight.cargo.site/t/original/i/9b05d6f46b8503042d4e7262074ebb074c33791db6b0f0ac41cb6520c37d8a51/Reviews.jpg" data-mid="27674661" border="0"  src="https://freight.cargo.site/w/800/i/9b05d6f46b8503042d4e7262074ebb074c33791db6b0f0ac41cb6520c37d8a51/Reviews.jpg" /&#62;
&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/01acc783a59ce49181ba9871675ced8c40a45ad9c479a1354d88a1e57f004077/Collage.jpg" data-mid="27674658" border="0"  src="https://freight.cargo.site/w/800/i/01acc783a59ce49181ba9871675ced8c40a45ad9c479a1354d88a1e57f004077/Collage.jpg" /&#62;
&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/1549fdcd7a8a0f7099dd07d38a76da1ebaeb4ae8ee6df9fe2fa212d53584d95d/SomethingElse.jpg" data-mid="13944238" border="0"  src="https://freight.cargo.site/w/800/i/1549fdcd7a8a0f7099dd07d38a76da1ebaeb4ae8ee6df9fe2fa212d53584d95d/SomethingElse.jpg" /&#62;
&#60;img width="496" height="244" width_o="496" height_o="244" data-src="https://freight.cargo.site/t/original/i/e1407149353cae7d62538a4ce870fd85676f1ccd6a1d37384c798772fcc6436d/Screenshot-2026-02-11-at-2.31.55PM.png" data-mid="244733329" border="0"  src="https://freight.cargo.site/w/496/i/e1407149353cae7d62538a4ce870fd85676f1ccd6a1d37384c798772fcc6436d/Screenshot-2026-02-11-at-2.31.55PM.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Reviews</title>
				
		<link>https://annettakapon.com/Reviews</link>

		<pubDate>Wed, 23 Aug 2017 22:15:49 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/Reviews</guid>

		<description> Selected Reviews, Catalogues and Books


 Genie Davis: Annetta Kapon: Thirty Years. January 2022
https://artandcakela.com/2023/01/11/annetta-kapon-thirty-years/

LEAH OLLMAN:&#38;nbsp;One bed photo per day, for years and years: Mesmerizing moments from an art show about daily life. LATIMES,&#38;nbsp;April 09, 2018 http://www.latimes.com/entertainment/arts/la-et-cm-every-ongoing-day-review-20180409-story.html&#38;nbsp;

Daily Collages
Blurb, April 2017

Wertheim Love Review.pdf Wertheim, Oct. 28, 2016
 

PROXY.pdf.&#38;nbsp;2013-2016 Blurb, March 2016

The Measure of Value&#38;nbsp; Catalogue essay by Marlena Doktorczyk-Donohue, October 2010 
Personal /Political (catalogue) State Museum of Contemporary Art, Thessaloniki, Greece. September 2009
Why Not, Catalogue&#38;nbsp;Camac Art Gallery, Marnay sur Seine, France. from the catalog:&#38;nbsp;Flat is a Feminist Issue, by Simon Kenrick 2007 
From the Stock Room to the Hospitality Suite: Notes on the Work of Annetta Kapon Biennale of Sydney 2004 Catalogue On Reason and Emotion Biennale of Sydney Essay by Allan Sekula
Ossian Ward, “Biennale of Sydney” Frieze 86, October 2004 (photo p. 168)
Isabel Carlos, “On Reason and Emotion, Translation, Post-Colonialism and Other Difficulties” SCAN Magazine, January 2004
Frieze #63, November-December 2001 Carmine Iannaccone
Women in Dada: Essays on Sex, Gender, and Identity&#38;nbsp; 1999 Naomi Sawelson-Gorse (Editor)https://mitpress.mit.edu/books/women-dada 
Johanna Drucker “Le Corps d’ à Coté”, Cahiers du Musée National d’ Art Moderne, Paris Printemps 1995
Margaret Morgan, “From DaDa to MaMa: Feminism, the Ready-Made and Contemporary Practice” in BINOCULAR, Edition Contemporaine, Sydney, Australia, fall 1994
Peter Plagens “Summing Up Doom and Gloom” Newsweek, January 25, 1993
Kenneth Baker, "Anything Goes - and it Works Well", San Francisco Chronicle, March 7, 1992
https://artandcakela.com/2018/04/03/practice-practice-every-ongoing-day-at-arena-1-gallery/






Daily Collages 2017&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>News: Recent and Upcoming Shows</title>
				
		<link>https://annettakapon.com/News-Recent-and-Upcoming-Shows</link>

		<pubDate>Thu, 06 Apr 2017 04:45:49 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/News-Recent-and-Upcoming-Shows</guid>

		<description>Cut Out: group exhibition at Beyond Baroque, Venice CA, June 22-July 22, 2024. Curator: Jody Zellen

Arte Expuesto: Annetta Kapon: my collages on ten gigantic electronic billboards in Monterrey Mexico from April 15 to May 15, 2024.
Photo credit: Arte Expuesto

&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/170225798267852b7faaf48383c9d40c5eca0508c518d8104205375ee0aab6dd/DJI_20240515170853_0469_D.jpeg" data-mid="211315011" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/170225798267852b7faaf48383c9d40c5eca0508c518d8104205375ee0aab6dd/DJI_20240515170853_0469_D.jpeg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/009f93d74e072abbb12135dec4ade2bc07e3e78744d224c9d6a03ef685a3d83a/DJI_20240515174047_0024_D.jpeg" data-mid="211314744" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/009f93d74e072abbb12135dec4ade2bc07e3e78744d224c9d6a03ef685a3d83a/DJI_20240515174047_0024_D.jpeg" /&#62; &#38;nbsp; &#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/9d4073d3d4f62f7d359d75620bd5517852f09a40f6220492c17bd49f766ef512/DJI_20240514214311_0405_D-Mejorado-NR.jpeg" data-mid="211315600" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/9d4073d3d4f62f7d359d75620bd5517852f09a40f6220492c17bd49f766ef512/DJI_20240514214311_0405_D-Mejorado-NR.jpeg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/896de9f8307ee913d7d9d5a2dc949385e6280641e0fd09f7872d625f30b05fbf/DJI_20240514214343_0409_D-Mejorado-NR.jpeg" data-mid="211315479" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/896de9f8307ee913d7d9d5a2dc949385e6280641e0fd09f7872d625f30b05fbf/DJI_20240514214343_0409_D-Mejorado-NR.jpeg" /&#62;&#60;img width="4032" height="2268" width_o="4032" height_o="2268" data-src="https://freight.cargo.site/t/original/i/f2cf3009c50d9a1bacb8b5c7d1721f44ac856d2a1544230011618805a63f478f/DJI_20240514165208_0221_D.jpeg" data-mid="211315324" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/f2cf3009c50d9a1bacb8b5c7d1721f44ac856d2a1544230011618805a63f478f/DJI_20240514165208_0221_D.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="600" height="338" width_o="600" height_o="338" data-src="https://freight.cargo.site/t/original/i/c899dcab5705e902df2751aa66cd86ecb1ac3fcc38c7b5c8ab2cc14fffef18e5/DJI_20240514214146_0393_D-Mejorado-NR.jpeg" data-mid="211315476" border="0" data-scale="35" src="https://freight.cargo.site/w/600/i/c899dcab5705e902df2751aa66cd86ecb1ac3fcc38c7b5c8ab2cc14fffef18e5/DJI_20240514214146_0393_D-Mejorado-NR.jpeg" /&#62;Annetta Kapon: Proxy Gallery 10 years
The Floating Gallery Los Angeles
5760 W. Pico Blvd Los Angeles CA 90019
August 5-September 30, 2023

&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b671c34f122a8e8c4ed832e39ead83801917e9363bc56e4a4bb988232544ba97/86.-IG_C_1080-02.jpg" data-mid="185810301" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/b671c34f122a8e8c4ed832e39ead83801917e9363bc56e4a4bb988232544ba97/86.-IG_C_1080-02.jpg" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d7cca6624224b5629e6b6cf36bf29cd776fa58ff75f834fc48d79e2e1607219c/IG_B_1080-02.JPG" data-mid="186862090" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/d7cca6624224b5629e6b6cf36bf29cd776fa58ff75f834fc48d79e2e1607219c/IG_B_1080-02.JPG" /&#62;&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0dd71043ef0e79a966c7b80eae42515897b95a1f64b1748bab756dbdd5fb7ccc/MK_IGsize.jpg" data-mid="186862998" border="0" data-scale="40" src="https://freight.cargo.site/w/1000/i/0dd71043ef0e79a966c7b80eae42515897b95a1f64b1748bab756dbdd5fb7ccc/MK_IGsize.jpg" /&#62;&#38;nbsp;&#38;nbsp;
&#38;nbsp;&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/1b95a827ce5ee5d81fb0683aa4d722e2a95bc46cdc1e6058961971cfa76531f6/_7R34044-Enhanced-NR-109.jpg" data-mid="188341683" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/1b95a827ce5ee5d81fb0683aa4d722e2a95bc46cdc1e6058961971cfa76531f6/_7R34044-Enhanced-NR-109.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/3d4f739f988dcf8235a7098b57ec4418ab37498a9a3d9850509c71438fc0e70d/_7R33686-18.jpg" data-mid="188341810" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/3d4f739f988dcf8235a7098b57ec4418ab37498a9a3d9850509c71438fc0e70d/_7R33686-18.jpg" /&#62;&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/5df5968d03a8b30c69f38c27934bebb00c63a20132045c6062dfe0a170eba4ab/_7R34106-121.jpg" data-mid="188341807" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/5df5968d03a8b30c69f38c27934bebb00c63a20132045c6062dfe0a170eba4ab/_7R34106-121.jpg" /&#62;exhibition photography: Antonis Ricos&#38;nbsp; 



The Body is the House we Live in The Floating Gallery Los Angeles, April 15-29, 2023.

 &#60;img width="12000" height="12000" width_o="12000" height_o="12000" data-src="https://freight.cargo.site/t/original/i/363a6710dd678b11844df080c6a435b693952fab09dcd6ea75e6fe82c88f47ad/The-Body-is-the-House-We-Live-in-flyer-1.jpg" data-mid="174703553" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/363a6710dd678b11844df080c6a435b693952fab09dcd6ea75e6fe82c88f47ad/The-Body-is-the-House-We-Live-in-flyer-1.jpg" /&#62;

Annetta Kapon: 30 Years Gallery Pado, Los Angeles Sept 24-October 10, 2022 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1400" height="1750" width_o="1400" height_o="1750" data-src="https://freight.cargo.site/t/original/i/f09eeeee6b460d8f4ade431a527c3d3663e92a2686f141dfba06d71c7dfc66ca/image.jpeg" data-mid="155272201" border="0" data-scale="41" src="https://freight.cargo.site/w/1000/i/f09eeeee6b460d8f4ade431a527c3d3663e92a2686f141dfba06d71c7dfc66ca/image.jpeg" /&#62;&#60;img width="331" height="500" width_o="331" height_o="500" data-src="https://freight.cargo.site/t/original/i/c860bf53d84fe0a4c9bbebe8f38059e56e70805512db898bbdb12ab748d01b33/image0.jpeg" data-mid="152590268" border="0" data-scale="100" src="https://freight.cargo.site/w/331/i/c860bf53d84fe0a4c9bbebe8f38059e56e70805512db898bbdb12ab748d01b33/image0.jpeg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/ce47bc63f7629eff2325a42296d85c7619d595bc7dfa9ea38cdd2f2747482f80/image.jpeg" data-mid="155272149" border="0" data-scale="54" src="https://freight.cargo.site/w/1000/i/ce47bc63f7629eff2325a42296d85c7619d595bc7dfa9ea38cdd2f2747482f80/image.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;



	&#60;img width="1096" height="778" width_o="1096" height_o="778" data-src="https://freight.cargo.site/t/original/i/872ee44d1b941aa0cb317606462ad94a8ac475dd8dbfd1a0fbe50e0ae0baadac/289940915_10159028172847842_3909192145307015759_n.jpg" data-mid="147097081" border="0"  src="https://freight.cargo.site/w/1000/i/872ee44d1b941aa0cb317606462ad94a8ac475dd8dbfd1a0fbe50e0ae0baadac/289940915_10159028172847842_3909192145307015759_n.jpg" /&#62;
	Video at Rollwerk Berlin, 48h Neukölln Festival (https://48-stunden-neukoelln.de/en/festival-2022) June 2022



Eschatological Rumination
Gallery Pado, Los Angeles, curated by Orly Ruaimi

&#60;img width="1130" height="659" width_o="1130" height_o="659" data-src="https://freight.cargo.site/t/original/i/de530a4b0060c8369a15432529b3a7798356655e2ea5b1e7892c51dbc4590bf2/digital-postcard.jpg" data-mid="119608988" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/de530a4b0060c8369a15432529b3a7798356655e2ea5b1e7892c51dbc4590bf2/digital-postcard.jpg" /&#62;
March 8-May 8, 2021
Secondary Effects//Efectos secundarios, Vol. III, an online collaborative show between I21 and Steppling Art Gallery. Curated by Luis G. Hernandez and Adrian Pineda. Online https://i21-steppling.com/vol-iii
https://i21-steppling.com/annetta-kapon&#38;nbsp;

&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/48d134a5582d4d94e8cd145032a2e5e011b370fbd8bc312852f3c09663f9a175/621..png" data-mid="108972851" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/48d134a5582d4d94e8cd145032a2e5e011b370fbd8bc312852f3c09663f9a175/621..png" /&#62;

	


	June 4-18, 2020

&#60;img width="2728" height="1262" width_o="2728" height_o="1262" data-src="https://freight.cargo.site/t/original/i/780e8345e870f12c6896ac108b026acbf2e80058a7cc71f739ed7cec5df8dece/WPA_HF_Banner.jpg" data-mid="72245027" border="0"  src="https://freight.cargo.site/w/1000/i/780e8345e870f12c6896ac108b026acbf2e80058a7cc71f739ed7cec5df8dece/WPA_HF_Banner.jpg" /&#62;













&#60;img width="2400" height="374" width_o="2400" height_o="374" data-src="https://freight.cargo.site/t/original/i/e9709225f2f89ec1401da22ad992ab243a923c09430016e0ac83653ee458a510/Pano_big-1.jpg" data-mid="60377209" border="0"  src="https://freight.cargo.site/w/1000/i/e9709225f2f89ec1401da22ad992ab243a923c09430016e0ac83653ee458a510/Pano_big-1.jpg" /&#62;Exhibition in 2020:


Annetta Kapon:
The Virtue of Necessity&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/5c3349aeb87a5933b08196084cac2dbaa546aa4cd573c5b8a78c8ac74ba321db/_7R30698.jpg" data-mid="60377141" border="0"  src="https://freight.cargo.site/w/1000/i/5c3349aeb87a5933b08196084cac2dbaa546aa4cd573c5b8a78c8ac74ba321db/_7R30698.jpg" /&#62;
Coachella Valley Arts Center
January 11-February 16, 2020

&#60;img width="1747" height="1238" width_o="1747" height_o="1238" data-src="https://freight.cargo.site/t/original/i/9aba5933ca6f715e1d452553d9a792b05a1c97a6535e7aa0302930a2507bc4df/vmatxsls06_1125586131275-1-untitleddesign_1_original-38.jpg" data-mid="60377225" border="0"  src="https://freight.cargo.site/w/1000/i/9aba5933ca6f715e1d452553d9a792b05a1c97a6535e7aa0302930a2507bc4df/vmatxsls06_1125586131275-1-untitleddesign_1_original-38.jpg" /&#62;
	

&#60;img width="2550" height="3073" width_o="2550" height_o="3073" data-src="https://freight.cargo.site/t/original/i/c2fc12e8145c26b22f1661afc436be76b9e8a15b505c28e2106021c5634c99ba/FINALdrive-by-art-yellow_LETTER_print.jpg" data-mid="72245009" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/c2fc12e8145c26b22f1661afc436be76b9e8a15b505c28e2106021c5634c99ba/FINALdrive-by-art-yellow_LETTER_print.jpg" /&#62;&#38;nbsp; &#38;nbsp;https://vimeo.com/422191666

May 30-31, 2020 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/68be4d7a1f1c98da8cecfd1e33e94b2b8a468ea38d1b203491c1366dd491f420/IMG_4654.JPG" data-mid="72244970" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/68be4d7a1f1c98da8cecfd1e33e94b2b8a468ea38d1b203491c1366dd491f420/IMG_4654.JPG" /&#62;
“Laundry: 6 Feet”



&#60;img width="399" height="164" width_o="399" height_o="164" data-src="https://freight.cargo.site/t/original/i/0d6a03bc0618dc51cd2904fde9287da81a330a283c4472088219d716258a54eb/Pano1-0-S.jpg" data-mid="60377210" border="0"  src="https://freight.cargo.site/w/399/i/0d6a03bc0618dc51cd2904fde9287da81a330a283c4472088219d716258a54eb/Pano1-0-S.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1942" height="2926" width_o="1942" height_o="2926" data-src="https://freight.cargo.site/t/original/i/cbb2a1880e3853e151950b4fc0d0438320fb59da069868bac5278bc7bd5b6090/200.jpeg" data-mid="52584250" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/cbb2a1880e3853e151950b4fc0d0438320fb59da069868bac5278bc7bd5b6090/200.jpeg" /&#62;&#60;img width="750" height="532" width_o="750" height_o="532" data-src="https://freight.cargo.site/t/original/i/8b195b52512f3c6e4e6d44d840d8624ce478d1f90a58ddbdc9725c2617f79b04/vmatxsls06_1125586131275-2-untitleddesign_1_original-35.png" data-mid="61116720" border="0" data-scale="100" src="https://freight.cargo.site/w/750/i/8b195b52512f3c6e4e6d44d840d8624ce478d1f90a58ddbdc9725c2617f79b04/vmatxsls06_1125586131275-2-untitleddesign_1_original-35.png" /&#62;


&#60;img width="2400" height="921" width_o="2400" height_o="921" data-src="https://freight.cargo.site/t/original/i/1d498cc2a33b341dcc755cae765799d6af19fd5f7e04753266a7cc488ae137df/_7R30786.jpg" data-mid="60377156" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/1d498cc2a33b341dcc755cae765799d6af19fd5f7e04753266a7cc488ae137df/_7R30786.jpg" /&#62;
&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/eab1c4f7baeea492dd3181b53dface780d981cac6e87ac8a0840fad383346ee5/_7R30838.jpg" data-mid="60377161" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/eab1c4f7baeea492dd3181b53dface780d981cac6e87ac8a0840fad383346ee5/_7R30838.jpg" /&#62;

Essay and photography by Antonis Ricos
Annetta Kapon, artistDaily Collage series
We can argue about which of the collages by artist Annetta Kapon we prefer and which composition, colors or shapes we’d happily hang on our walls. Such is the way abstraction often works. Until we hear about the method, processes and thinking behind it, we are likely to take it at face value. But it’s worth asking if the endless permutations of fantastical colorful compositions on gridded paper is all there is. After all, this collage series follows an engagement of the artist with matter and language as well as conceptual contradictions that have led to sometimes ironic, sometimes deliberately absurd results in her work. Could it be that she has given all that up for facile, playful indulgence with form alone?
The first clue in the work is the numbering of each piece that substitutes for a title. These are serially produced, sequentially numbered pieces as if in a production facility, an art lab of sorts. Neither buyers nor curators get to decide how to sequence the presentation. The numbers are baked in the art. If the show doesn’t follow the original order, the art makes the fact clear.
The next clue is possibly more subtle: what are these bits of photographic textures, fragments of interior decor or perhaps some random texts? And why are they so coordinated in their color schemes as if they all came from a well-designed source? Because behind the seemingly non-representational arrangement there once was a magazine page. Not just any magazine, but one among those offering ideals of domesticity, mostly to a female readership. So here the original construct has been deconstructed and reimagined as some new architecture floating above and through the grid of the notebook pages.
Then comes an even more subtle intervention. Sometimes shapes and textures are added with a simple ballpoint pen. On rare occasion, there may even be a recognizable form. It turns out that before embarking on the series, Kapon set some rules. Among them to avoid representing the female body - or any body for that matter. Yet in her past work - another series - there are sophisticated elaborations on the body and how it relates to mind and language. All with drawing and writing, no collage involved. When drawing appears in these collages (see #459, 461, 492 etc.) it is not just an exception to a self-imposed rule, it also acts as reference to the older work. The brief return to figuration here acts as playful commentary, at once ironic and deliberately naive.
So, we are faced with a riddle: how do these compositions speak to long-standing themes that permeate the work of Kapon? An implied feminist critique of the norms of our material world; the absurdities and ambiguities inherent in the mediation of language; the opposition of passion and logic in the search for authenticity?…
Before considering these larger issues, however, we have to take into account that each collage is produced on a regular time interval, often daily, and that this is in fact a defining aspect of the work. Like other artists with a time-based practice, Kapon thus eschews notions of waiting for “inspiration” or for the “right mood” to strike. The result is a decentering of artistic intention as creative impetus, thus opening up the work to its serial elaboration whose many instances of formal variation may offer hints about its conceptual underpinnings. 
Significantly, along with serialized production, there is a matching method of dissemination via Instagram. Far from constituting some form of undercutting seriousness of purpose, this programmatic signaling that artwork is continually being produced, that the artist is at work and that we can look forward to the next installment, adds another framework and therefore meaning to the results. In fact, it opens up a feedback loop with an online audience that is integral to the production process itself. 
And so, in looking at the images before us, we are left to ponder all those invisible rules and processes that inform them and that may complicate how we see them. But in the meantime, we can enjoy the playful parade of mysterious spaces, imaginary creatures and anything else our mind’s eye sees in these pictures. It’s the latest installment in a body of work that has struggled through conceptual austerity, passionate irony and other contradictions of life as we know it.
Antonis RicosLos Angeles 


&#60;img width="2400" height="1601" width_o="2400" height_o="1601" data-src="https://freight.cargo.site/t/original/i/525e32fb46f51885b5e4bf8f15fa7f7ec67dc233003a40472ce9f8697e803c05/_7R30993.jpg" data-mid="60377180" border="0" data-scale="59" src="https://freight.cargo.site/w/1000/i/525e32fb46f51885b5e4bf8f15fa7f7ec67dc233003a40472ce9f8697e803c05/_7R30993.jpg" /&#62;
Daily Collages 400-500. buy at Blurb bookstore: 
https://www.blurb.com/b/9856542-annetta-kapon-daily-collages-400-500

&#60;img width="272" height="352" width_o="272" height_o="352" data-src="https://freight.cargo.site/t/original/i/862885270ea00c22957562ceec9af12acbf9728c9e592d3bcf0416c5367afc97/cover_2.jpg" data-mid="56703702" border="0"  src="https://freight.cargo.site/w/272/i/862885270ea00c22957562ceec9af12acbf9728c9e592d3bcf0416c5367afc97/cover_2.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2432" height="3194" width_o="2432" height_o="3194" data-src="https://freight.cargo.site/t/original/i/8f9349c0211b73e7ddbc185d0339e8ca0bdeb1eda41f36c1c63f357024350e3d/493.jpg" data-mid="56703278" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/8f9349c0211b73e7ddbc185d0339e8ca0bdeb1eda41f36c1c63f357024350e3d/493.jpg" /&#62;



Here: at LAMAG, October 26 2018-January 6, 2019.

&#60;img width="504" height="332" width_o="504" height_o="332" data-src="https://freight.cargo.site/t/original/i/3dcbaea2bfa8e97ef6f1b1092651ccac5f9cde817a2e0f31075b5fd7e2f8233c/Untitled-1.jpg" data-mid="27730374" border="0"  src="https://freight.cargo.site/w/504/i/3dcbaea2bfa8e97ef6f1b1092651ccac5f9cde817a2e0f31075b5fd7e2f8233c/Untitled-1.jpg" /&#62;
&#60;img width="612" height="396" width_o="612" height_o="396" data-src="https://freight.cargo.site/t/original/i/2f6624c98300f465b787d3b229c9da57408d77a06056434652982d8677775c5c/HERE-Postcard2.jpg" data-mid="27730366" border="0" data-scale="81" src="https://freight.cargo.site/w/612/i/2f6624c98300f465b787d3b229c9da57408d77a06056434652982d8677775c5c/HERE-Postcard2.jpg" /&#62;

&#60;img width="637" height="767" width_o="637" height_o="767" data-src="https://freight.cargo.site/t/original/i/edc11d8354ae8dcfcf5ce5f3f02aaa55b05217d28b10c3d2a7ff1ce01ff60712/IMG_2754.jpg" data-mid="24010347" border="0" data-scale="21" src="https://freight.cargo.site/w/637/i/edc11d8354ae8dcfcf5ce5f3f02aaa55b05217d28b10c3d2a7ff1ce01ff60712/IMG_2754.jpg" /&#62; &#38;nbsp;&#60;img width="532" height="360" width_o="532" height_o="360" data-src="https://freight.cargo.site/t/original/i/58b69b0a4e3aafc613f85635ce52c09a1ef026bf412d2aef69fa3300113673cc/IMG_2750.JPG" data-mid="24010344" border="0"  src="https://freight.cargo.site/w/532/i/58b69b0a4e3aafc613f85635ce52c09a1ef026bf412d2aef69fa3300113673cc/IMG_2750.JPG" /&#62;
Kamikaze shows July 26, 2018 @ PØSTLA&#60;img width="640" height="484" width_o="640" height_o="484" data-src="https://freight.cargo.site/t/original/i/9d45d10669fc9ed40e1d027c875cd732a694bf05a42b02b1ed3e787fdf52e86a/IMG_2753.jpg" data-mid="24010346" border="0"  src="https://freight.cargo.site/w/640/i/9d45d10669fc9ed40e1d027c875cd732a694bf05a42b02b1ed3e787fdf52e86a/IMG_2753.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="532" height="360" width_o="532" height_o="360" data-src="https://freight.cargo.site/t/original/i/58b69b0a4e3aafc613f85635ce52c09a1ef026bf412d2aef69fa3300113673cc/IMG_2750.JPG" data-mid="24010344" border="0" data-scale="74" src="https://freight.cargo.site/w/532/i/58b69b0a4e3aafc613f85635ce52c09a1ef026bf412d2aef69fa3300113673cc/IMG_2750.JPG" /&#62;&#38;nbsp; &#38;nbsp;&#60;img width="621" height="486" width_o="621" height_o="486" data-src="https://freight.cargo.site/t/original/i/a7a271e8ce480e16bf268ce39ef37da638ab7fd4c1d886c3235990b87a4a57b0/IMG_2755.jpg" data-mid="24010348" border="0"  src="https://freight.cargo.site/w/621/i/a7a271e8ce480e16bf268ce39ef37da638ab7fd4c1d886c3235990b87a4a57b0/IMG_2755.jpg" /&#62;
&#60;img width="1800" height="971" width_o="1800" height_o="971" data-src="https://freight.cargo.site/t/original/i/a274ea4165a47ef161587d129998f027393be4ffbaba3766647ec4c886b87ee1/Synopsis-still.jpg" data-mid="12494720" border="0" data-scale="19" src="https://freight.cargo.site/w/1000/i/a274ea4165a47ef161587d129998f027393be4ffbaba3766647ec4c886b87ee1/Synopsis-still.jpg" /&#62;
W:OW
Art Film &#38;amp; Video Festival at Museo La Neomudejar, Madrid, Spain in Fall 2018.
	from my video Synopsis, 2013
	

Ambiguous Bodies, Timeless Interpretations: Center for Contemporary Art, Thessaloniki, Greece

Jan 27-March 24, 2018
Venus de Milo, 1991, Corrugated cardboard




&#60;img width="292" height="438" width_o="292" height_o="438" data-src="https://freight.cargo.site/t/original/i/57b125065e6bebc7b5a70aac1b5b96538d98809a364ec6e14f9eaf475d87a53f/venus.jpg" data-mid="9821281" border="0" data-scale="49" src="https://freight.cargo.site/w/292/i/57b125065e6bebc7b5a70aac1b5b96538d98809a364ec6e14f9eaf475d87a53f/venus.jpg" /&#62;

Every (ongoing) Day: Group exhibition March 17 to April 14, 2018 Arena 1 Gallery, Santa Monica, CA

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Art Mûr, Montreal, Canada: “Grâce au dessin” exhibition dates March 3, 2018 to April 28, 2018

&#60;img width="2725" height="1993" width_o="2725" height_o="1993" data-src="https://freight.cargo.site/t/original/i/9d9f6ad36712597c0670a272e1a3014c6343adec38065566cfe6df669d2e463a/42.jpg" data-mid="4291231" border="0" data-scale="18" src="https://freight.cargo.site/w/1000/i/9d9f6ad36712597c0670a272e1a3014c6343adec38065566cfe6df669d2e463a/42.jpg" /&#62;

LOVE, e-artis contemporary, Chemnitz, Germany,&#38;nbsp; Aug. 26-Oct. 8, 2016Sabine Dehnel, Frieda und Götz Bellmann, Anna Lehmann-Brauns, &#38;nbsp;Annetta Kapon&#38;nbsp;
&#60;img width="300" height="150" width_o="300" height_o="150" data-src="https://freight.cargo.site/t/original/i/693bdbe933816cdd7d69d37b9a5cae9d9fe3490b184665e7d87dd80966ec0bdc/News-1.jpg" data-mid="2739623" border="0" data-scale="100" src="https://freight.cargo.site/w/300/i/693bdbe933816cdd7d69d37b9a5cae9d9fe3490b184665e7d87dd80966ec0bdc/News-1.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;Love, Johannes Schwab, Wertheim, Germany, Oct 15, 2016-January 15, 2017
&#60;img width="300" height="200" width_o="300" height_o="200" data-src="https://freight.cargo.site/t/original/i/45bda883b37cce5e471a65c03ddbd57f9dd31e0aecce345cfe6247a0189e505f/News-2.jpg" data-mid="2739625" border="0"  src="https://freight.cargo.site/w/300/i/45bda883b37cce5e471a65c03ddbd57f9dd31e0aecce345cfe6247a0189e505f/News-2.jpg" /&#62;
&#60;img width="225" height="300" width_o="225" height_o="300" data-src="https://freight.cargo.site/t/original/i/9e6391d0e1361175c9cc5bfacc1fe3d46e2ea3b2bf700a731826e5f030ebe07b/2014-06-17-11.39.48.jpg" data-mid="2739611" border="0"  src="https://freight.cargo.site/w/225/i/9e6391d0e1361175c9cc5bfacc1fe3d46e2ea3b2bf700a731826e5f030ebe07b/2014-06-17-11.39.48.jpg" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="293" height="390" width_o="293" height_o="390" data-src="https://freight.cargo.site/t/original/i/57c7a48b7e343f161b8bad6a49282a5265988e9863027da15a399fc01da0c303/2014-06-17-11.41.22.jpg" data-mid="2739613" border="0"  src="https://freight.cargo.site/w/293/i/57c7a48b7e343f161b8bad6a49282a5265988e9863027da15a399fc01da0c303/2014-06-17-11.41.22.jpg" /&#62;


&#60;img width="149" height="200" width_o="149" height_o="200" data-src="https://freight.cargo.site/t/original/i/944ccf063ffc3921056d74746e923b555efa2d00eb4cdd8ea3b25bcb6c026405/News7.jpg" data-mid="2739634" border="0"  src="https://freight.cargo.site/w/149/i/944ccf063ffc3921056d74746e923b555efa2d00eb4cdd8ea3b25bcb6c026405/News7.jpg" /&#62;
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	</item>
		
		
	<item>
		<title>Resume: Exhibition History,  Honors, Grants, Residencies</title>
				
		<link>https://annettakapon.com/Resume-Exhibition-History-Honors-Grants-Residencies</link>

		<pubDate>Wed, 21 Dec 2016 00:42:51 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/Resume-Exhibition-History-Honors-Grants-Residencies</guid>

		<description>One-Person Exhibitions


2024&#38;nbsp;Annetta Kapon, Arte Expuesto, Monterrey, Mexico April 15-May 15.
2023 Annetta Kapon: 10 years Proxy Gallery&#38;nbsp;The Floating Gallery Los Angeles August-September
2022 Annetta Kapon: 30 Years.&#38;nbsp;Gallery Pado, Los Angeles Sept 24-October 10.
2020 Virtue of Necessity Coachella Valley Art Center, Indio CA (Jan. 11-Feb. 16)
2018&#38;nbsp;Prints, Memory at PØST Los Angeles: July Kamikaze exhibitions (July 26) 



















2013	Not Actual Size, Proxy Gallery, Culver City, CA, May 

2010   The Measure of Value, Las Cienegas Projects, Los Angeles, CA September – October (catalogue)

2009    Laundry, Numismatic Museum, Athens, Greece, May-June2007 Why not? Pourquoi pas? Camac Gallery, Marnay-sur-Seine, France, April-May
2003   On Photography: Bolivar Café and Gallery, Santa Monica, CA, Dec - Jan
           &#38;nbsp; &#38;nbsp; 405 North, 405 South, Mario's Furniture, Los Angeles, CA 
           &#38;nbsp; &#38;nbsp; Annetta Kapon, Sunday @ Sunset, Los Angele
2001   Annetta Kapon: Recent Work, Armstrong Schoenheit Gallery, Los Angeles
1998   Annetta Kapon: Anti-keimena, Institut Francais de Thessaloniki, Greece

1997 Annetta Kapon, Zefxis Gallery, Thessaloniki, Greece

1996   Annetta Kapon, Shoshana Wayne Gallery, Santa Monica, CA
1995   Too Much Not Enough, Hewlett Gallery, Carnegie Mellon University, Pittsburgh, PA
1994    Annetta Kapon: Sculptures, University of California at Riverside, Riverside, CA
1992   Indoor, Skowhegan Waste Management Plant, Maine (permanent installation) 
Sculptures, Southern Exposure, San Francisco, CA 
1991    Venus de Milo, Southern California Institute for Architecture (SCI Arc), Los Angeles, CA&#38;nbsp;
&#38;nbsp;

Group Exhibitions


2025
TRYST: Torrance, California,&#38;nbsp; July 11-13, 2025
2024
Cut Out: Beyond Baroque, Venice CA, June 22-September 29, 2024. Curator: Jody Zellen2024 &#38;nbsp;&#38;nbsp; TRYST: Torrance, California,&#38;nbsp;October 23-25, 2024

2023
TRYST: Torrance, California,&#38;nbsp; October 27-29, 2023

The Body is the House we Live in The Floating Gallery Los Angeles, April 15-29.

The d/i/Light Memorial - at ALPHABET Art Centre - https://cinema.nmartproject.net/cinema-s6/&#38;nbsp; (9- 22 November 2023) 

2022
Poetry from Instructions http://guybennett.com/poetry-from-instructions.html
Video at Rollwerk Berlin, 48h Neukölln Festival (https://48-stunden-neukoelln.de/en/festival-2022)&#38;nbsp;
International Holocaust Commemoration Day 
ALPHABET Art Centre - http://alphabet.nmartproject.net&#38;nbsp; &#38;nbsp; January 27 - March 31 2022

2021
Gala Gallery Pado, Los Angeles December 11-22. 386, 358, 370, 309, 298
Eschatological Rumination Gallery Pado, Los Angeles. Curated by Orly Ruaimi October 9-23&#38;nbsp;
27 January 2021 International Holocaust Commemoration Day - The Liberation of Auschwitz - 27 January 1945&#38;nbsp;ALPHABET Art Centre - http://alphabet.nmartproject.net
Secondary Effects//Efectos secundarios, Vol. III, an online collaborative show between I21 and Steppling Art Gallery. Curated by Luis G. Hernandez and Adrian Pineda online March 9-May 9 2021
https://i21-steppling.com/vol-iii&#38;nbsp;&#38;nbsp;

2020
So Far So Close. MOMus Experimental Center for the Arts, Thessaloniki, Greece, October 20-December 4, 2020.
Drive-by Art Los Angeles: May 30, 31, 2020
High Frequency: A Benefit&#38;nbsp; to support Artists and the WPA June 4-18


2019

July 28 Kamikaze exhibition Feel the Burn curated by Shirin Bolourchi PØST @ MiM Gallery

2018



















Here:
Municipal Art Gallery (LAMAG) Curator: Steven Wong, Oct. 20, 2018 – January 6,
2019
WOW.19 Bulgaria @ The
Quarantine Film Festival Varna/ - 12-14 July 2018 (Wow Babylonia) 



Αmbiguous bodies-timeless
interpretations: Center for
Contemporary Art, Thessaloniki Greece, Jan 27-March 24, 2018.


Every (ongoing) Day Arena 1 Gallery, Santa Monica, CA March 17-April 14, 2018

Grâce au dessin, Art Mûr, Montreal, Canada, March 3-April 28, 2018Never
Apart&#38;nbsp; Video
exhibition at Never Apart, Montreal, Canada. April 21st, 2018









2017&#38;nbsp;

Disassembled Gallery, Hollywood CA May 20 and 21, 2017 
FAR BAZAAR, Cerritos College Art Jan 28-29, 2017. Organized by James MacDevitt.
ON BOARD: Works by the Emeritus Leaders of the Foundation for Art ResourcesJanuary 28 - March 10, 2017, CERRITOS COLLEGE ART GALLERY


2016 	

LOVE, Johannes Schwab, Wertheim, Germany, Oct 15, 2016-January 15, 2017

LOVE, e-artis contemporary, Chemnitz, Germany,  Aug. 26-Oct. 8, 2016
Inside Out, Emeritus College Gallery, Santa Monica, curated by Jesse Benson. January 14 – March 2, 2016
Gallery Tally, Center for Contemporary Art, Santa Fe, Dec 10 - January 17, 2016
Gallery Tally, Los Angeles Contemporary Exhibitions, Hollywood, CA (May-June)


2015	

Social Fabric O.R. Gallery, Culver City, CA. March 5 to April 10, 2015
The Situation Room, Los Angeles CA February 21, 2015
Photo Biennale Logos, Thessaloniki Museum of Photography, Greece  Dec 2014-March 2015
Direct Object/Direct Action!&#38;nbsp;at ACRETV, Chicago, Illinois Feb.1 to March 31, 2015 
Virtual Memorial Düsseldorf 2015, Düsseldorf, Germany
Retina Festival, MACRO, the Contemporary Art Museum of Rome, Italy. February 2015
Gallery Tally, Área: Lugar de Proyectos, Caguas, Puerto Rico, Dec. 2014 – Jan. 2015

Art Is Hope, Piaza Gallery, Paris, France, (Dec) curated by Carole Ann Klonarides 
Photo Biennale Logos, Thessaloniki Museum of Photography, Greece
6+6 Steps in the White House: Municipal Gallery (Casa Bianca) Thessaloniki, Greece. September 5 to 30, 2014 
Jewish Artists from Thessaloniki, Jewish Museum of Thessaloniki, Greece. May 11-July 15.
Forms of the Formless: Time/Space, Museum of &#38;nbsp;Contemporary Art,  Beijing, China. Curators: Marlena Donohue
    and Michael Suh. April 26-
On Seeing: Online Curated by Annie Buckley at Huffington Post, March 

2014

Freeway Studies #2: Inside the Quad April 12 through July 27, 2014, Ben Maltz Gallery
A Virtual Memorial Jaffa 2014, Jaffa, Israel, January 25  2014 
A Virtual Memorial Milan 2014, Milan, Italy, January 27-29  2014
A Virtual Memorial Moscow 2014, Russia, at Moscow Museum of the Gulag 02-30 April 2014

Forms of the Formless, TEDA Contemporary Art Museum, Tianjin, China, December 28, 2013 to January 17, 2014. 
    Curators: Marlena Donohue and Michael Suh.
Margin Release Right, West LA College Gallery, curated by Kio Griffith.

Out The Window, LA Freewaves, Los Angeles Metro bus system ​(April). 

2013


Forms of the Formless, TEDA Contemporary Art Museum, Tianjin, China, December 28, 2013 to January 17, 2014. Curators: Marlena Donohue and Michael Suh.
Margin Release Right, West LA College Gallery, curated by Kio Griffith.
A Virtual Memorial Vilnius 2013, Vilnius, Lithuania, September 2013
Out The Window, LA Freewaves, Los Angeles Metro bus system ​(April).
Patios and Breadbaskets, Proxy Gallery, Los Angeles, Curated by Katie Thoma.Patios and Breadbaskets, Proxy Gallery, Los Angeles, Curated by Katie Thoma. May 2013



2012 


Housework: Cultures of Domesticity (Ezcurra, Kapon, Kumao), Reynolds Gallery, University of the Pacific, Stockton, CA, Oct -                 
    Nov, curated by Molly Hankwitz
Warsaw Jewish Film Festival 2012, at Kinoteka in Warsaw, Poland, October 25 - 30
A Virtual Memorial Phnom Penh 2012 — at Meta House — Cambodian-German Cultural Centre, Phnom Penh, 
    Cambodia, July 12 - 15
A Virtual Memorial—Commemorative Interventions, Riga, Latvia, Jun 1 - 8
Jaric-Kalfas-Kapon-Kombatsiari-Ikonomou, Lola Nikolaou Gallery, Thessaloniki, Greece

2011

Out the Window, LA Freewaves
Video Festival CologneOFF 2011 Baltic Sea, 12-14 May 2011—Szczecin/Poland, also at Szczecin 2016 - European 
    Capital of Culture 2016
Narratives of the Perverse II, Jancar Gallery, Los Angeles, February, curated by Tom Jancar and Maya Lujan
Universe City, CSULA Fine Arts Gallery, January - February, curated by Barry Markowitz and Jim Ovelmen
The Open Daybook, Los Angeles Contemporary Exhibitions, January 2011

2010

TBA, The Monitor Show, Kristi Engle Gallery, December 2010 
On Seeing – The Purpose Paradox, online exhibition in the Huffington Post, Sept - Oct; curated by Annie Buckley
HarborArts: Outdoor Art &#38;amp; Sculpture Exhibition, Boston Harbor Shipyard; Boston, MA, June - October; Juror: Randi 
Hopkins
VideO-Otis Here Danny’s Art Bar, Venice CA, August 19. Curator: Ceres Madoo
Shells, Prisms, Glendale College Art Gallery, Glendale, CA, March - April


2009

Langue Froide… Cold Language/Tongue, Conny Dietzschold Gallery, Sydney, Australia, curated by Bill Wright &#38;amp; Conny Dietzschold (Nov-Dec)
A Restless Country-selections from the permanent collection; Pomona College Museum of Art, Pomona, CA (Oct-Dec)
Personal/Political, Center for Contemporary Art, Thessaloniki, Greece, Sept. 11 - Oct. 23 catalogue (Kapon p. 56)
Insight/Inside LA, Jose Drudis Biada Gallery, Mount Saint Mary's College, Los Angeles, March-April. Curated by 
Jody Baral


2008

Multiple Feeds, curated by Erika Suderburg, Forum at the National Center for the Preservation of Democracy, JANM October 2.
In Transition Russia, Moscow and Ekaterinburg, Oct-Dec
Cut The Cord! From Up Here Everything Makes Sense! OK Mountain Gallery Austin, TX. August 16th - September 20th curated by Erick Michaud
Omage 08: Otis Faculty Show, Track 16 Gallery, Santa Monica, CA August 1-30. Curated by Lisa Melandri
DIGITALMEDIA La Nau, Valencia, Spain — http://www.digitalmediavalencia.com April 17 – May 10


2007

Slowtime2007: Quicktime as an artistic medium  http://cinema.nmartproject.net — July-September
Los Angeles Greek Film Festival, Beverly Hills, CA — June 
HOME, Voorkamer Gallery, Lier, Belgium — March - May


2006

WORK SPACE: FAR online exhibition, December 2006 - indefinitely
Artists Who Teach, Sam Francis Gallery, Crossroads School, Santa Monica, CA — September - October 
Omage: The Artists, Designers and Writers of Otis College of Art &#38;amp; Design, Track 16 Gallery, Santa Monica, CA — Curated by Christopher Miles, July-August 2006 
Orion's Shorts Film Festival, May 6-7, Landers, CA — Organized by Jill Giegerich and S. Quinn
State of Emergency, Free Outdoor Silent Cinema at 115 W. 23rd Street, NY, June 2006
"Us, Our Friends and People Who've Done Us Favors," Fireplace Gallery, Reno, NV, March 11 - April 2, 2006
OTIS: Nine Decades of LA Art, Barnsdall Municipal Art Gallery, January - March 2006


2005
Photography: Variations on a Medium, Fireplace Gallery, Reno, NV, November 5 - December 6
Capturing Utopia, Fournos Center for Digital Culture, Athens, Greece, September 19-25 
Drive-by and reLAX, Upspace, Los Angeles, CA, Sept-Oct — Curated by Chris Sicat 
Immodest Proposals, Buffalo Bayou Art Park, Houston, TX, July-Aug
Drive Time, Wignall Museum, Chaffey College, CA — Curated by Pamela Bailey Lewis, Aug - Sept 
Whose/Who's California — Curated by New Town Pasadena, CA, August 13-14, 2005
Delusionarium II, White Box Gallery, Marina del Rey, CA, April - May


2004

Eighth Annual MadCat Women's International Film Festival, San Francisco, CA, Sept - Oct 
VI Salon International De Arte Digital Video Selection, Havana, Cuba, June
Biennale of Sydney, Australia — Curated by Isabel Carlos, June - Aug 
Contemporaries RED CAT, Los Angeles, CA — Curated by Claudine Isé, January


2003

Festival International de Video I Arts Digitals, Girona, Spain, November
Soft Machines, The Brewer Project, Los Angeles, CA — Curated by Joseph Santarromana, November
17èmes rencontres video art plastique, Centre d'Art Contemporain de Basse Normandie, Herouville Saint-Claire, France, November
AIM on Sunset, June - November
Ratpowered Film Festival, Santa Ana, California ("Home" video)
Western Psychological Association Film Festival, Vancouver, Canada
The Distance Between My House and the Beach, Occidental College, Weingart Galleries, Los Angeles, CA — Curated by Nizan Shaked

2002

TV or not TV: LA Freewaves, Spruce Street Forum, San Diego, CSU, Los Angeles, and Gallery 825, Los Angeles  Independent Exposure, sponsored by Microcinema and Film Arts Foundation, Traveled to:
	•	111 Minna Gallery, San Francisco, CA 6/25/02
	•	Brighton Michigan Film Festival, Brighton, Michigan, 11/22/02
	•	Video Marathon, Chisinau, Modova, 11/20/02
	•	Madurai Collective, Madurai, India, 9/14/02
	•	Strange Brew Coffeehouse, Springfield, OH, 9/13/02
	•	Madurai Collective, Madurai, India, 8/1/02
	•	Urban 15, San Antonio, Texas, 7/19/02
	•	Fire Station #3, Houston, Texas, 6/28/02
	•	Newcastle Australia, Moldavia, Winnipeg, Canada, 2/22/03
"Transit: Survival Skills," The Park Paradise Complex, Scottsdale, AZ — Curated by Leonardo Bravo
2001
Little, Mario's Furniture, Los Angeles — Produced by Chloe R. Ziegler 
Video 825, Gallery 825, Los Angeles — Curated by Nancy Buchanan 
ART IN MOTION II: USC School of Fine Arts and Santa Monica Museum of Art
Eye Confess, Side Street Live, Los Angeles — Organized by the Capture Group, 2001

2000

Short Cuts: Video Bus Tour, part of LA Freewaves — Organized by S.E. Barnet
Nonzero Sum Games (with the Pro Bono Artist Committee), The Brewery, Los Angeles, CA — Organized by Liz Harvey 
Works of Art, State Museum of Contemporary Art, Thessaloniki, Greece, Feb - Apr 
Not Coming/Projections: Intermission Images VII, Laemmle Theaters, Los Angeles, CA — Sponsored by Side Street Projects and curated by Catherine Lord

1999

OUTRAGEOUS: Spectacular Visual Commerce and Its Discontents, 1999 SPE Western Regional Conference and Exhibition — Juror: Bruce Yonemoto 
Concoctions, Side Street Projects, Santa Monica, CA — Curated by Katie Silvers
Focus VIII: Constructure, John Wayne Airport, Orange County, CA — Curated by Kim Abeles
Thanks, Visiting Faculty, Cal Arts, Gallery D301, Valencia, CA
"If Your Tongue Were Cut Off… What Would You Say?" Cal Arts, Lime Gallery, Valencia, CA — Curated by Julie Adler and Kathleen Rogan
Internission Projections, Laemmle Theaters, sponsored by Side Street Projects, Santa Monica, CA

1998

The Lone Woman of San Nicolas Island, Side Street Projects, Santa Monica, CA — Curated by Connie Hatch Artmedia — Editors: Kaucyila Brooke and Jody Zellen Angels Gate 8.16.98 dusk, Angels Gate Cultural Center, San Pedro, CA — Curated by Cindy Bernard Troubling Customs, Catherine Lane Weems Center, School of the Art, Museum of Fine Arts, Boston, MA Home Sweet Home, Transamerica Pyramid Lobby, San Francisco, CA — Curated by Art Source Consulting One Night Stand 7, Farmer's Daughter Motel, Los Angeles, CA — Organized by Michael Arata and Leonardo Bravo Troubling Customs, CAA Annual Meeting, Gallery of the Ontario College of Art and Design, Ontario, Canada Without Alarm II, Lincoln Heights Jail, Los Angeles, CA — Organized by Arroyo Arts Collective


1997

Constructing Domesticity, Jose Drudis-Biada Art Gallery, Mount St. Mary's College, Los Angeles, CA — Curated by Jody Baral
Greek Jewish Artists, Jewish Museum, Thessaloniki, Greece
Collective Noise, Collective Noise, CA — Curated by Joseph Santarromana and Susan Barnet


1996
Simple Means, Montgomery Gallery, Pomona College, CA. Curator: Steve Comba
The Big Night, Bradbury Building, Los Angeles, CA &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
A Some of Us, JanKesner Gallery, Los Angeles, CA Curator: Joe Smoke 
The Matter of the Body, Reicher Gallery, Chicago, IL. Curator: Barbara Kulak



1995
Arresting Images, Gallery 400, University of Illinois, Chicago, IL — Curated by Karen Indeck
The Big Night, Bradbury Building, Los Angeles, CA
A Some of Us, Jan Kesner Gallery, Los Angeles, CA — Curated by Joe Smoke
The Matter of the Body, Reicher Gallery, Chicago, IL— Curated by Barbara Kulak

1994

Gorgeous Politics: Temporary Contemporary, Las Vegas, NV — Curated by Dave Hickey
SPE Western Regional Conference, Video Program, Monterey, CA
Gorgeous Politics: L.A.C.E. Annuale, Los Angeles, CA — Curated by Dave Hickey
Free Range: 8th VideoLace Annuale, Los Angeles, CA — Curated Bill Horrigan
The Ecstasy of Limits, Gallery 400, U.I.C. Chicago, IL — Curated by Yvette Brackman
Disorderly Conduct, Carleton College, Minneapolis, MN
Disorderly Conduct, Hobart and William Smith Colleges, Geneva, NY
Five Young Artists, Ileana Tounda Art Center, Athens, Greece
Fever, Wexner Center for the Arts, Columbus, OH


1993
Pomona College Invitational, Montgomery Gallery, Claremont, CA
A Simple Complex, The Brewery, Los Angeles, CA —Organized by Wendy Adest and John O'Brien
Mondo Lot, Robert Berman Gallery, Santa Monica, CA — Curated by Dianna Cohen
Disorderly Conduct, P.P.O.W., NY — Curated by Nina Felshin
Summer Punch, Kim Light Gallery, Los Angeles, CA
Close to Home, 1529 Wellesley St., Los Angeles, CA — Curated by Laura Whipple
Public and Private Pleasures: Nomadic Sites, Hollywood, CA — Curated by Lauren Lesko
The Domestic Object, Rio Hondo College Art Gallery, Rio Hondo, CA — Curated by Chris Acuna-Hansen


1992
Fever, Exit Art, New York, NY — Curated by Jeanette Ingberman and Papo Colo
Body and Soul, Warren Street Gallery, Hudon, NY — Jurors: Kiki Smith and Laura Battle
MFA Thesis Exhibition, Wight Art Gallery, UCLA
Thirteen Women, Highways Performance Space, Santa Monica


1991
Faculty Show, Sam Francis Gallery, Crossroads School, Santa Monica, CA
Art Central, Los Angeles City College, Los Angeles — Juror: Josine Ianco-Starrels
Freewaves Video Festival, University of Southern California, Los Angeles
New World Order, Highways Gallery, Santa Monica, CA


1989
Faculty Show, Sam Francis Gallery, Crossroads School, Santa Monica, CA


1987
Seen Telling, Beyond Baroque Literary/Arts Center, Venice, CA — Curated by Susan Robinson
Eight Million Stories, Los Angeles Contemporary Exhibitions (LACE) — Curated by Elain Wintman


1985
Break the Silence, The Woman's Building, Los Angeles, CA
Defienden Sus Derechos, El Rescate, Los Angeles, CA
In Medias Res, North Gallery, Otis/Parson, Los Angeles, CA
Just a Minute! TV. Works, Los Angeles Institute of Contemporary Art, Los Angeles, CA
The Basement Tapes, Otis/Parsons Video Festival, Los Angeles, CA
Women's Video Festival, Tucson, AZ
Young Artists, The Onyx Cafe, Los Angeles, CA


1984
The Basement Tapes, Otis/Parsons Video Festival, Los Angeles, CA
Artists Select Artists, Barnsdall Municipal Art Gallery, Los Angeles, CA


1983
The Basement Tapes, Otis Parsons Video Festival, Los Angeles, CA
Young Artists, Sixth Street Gallery, San Pedros, CA


1982
Young Artists Juried Show, Jewish Community Gallery, Los Angeles, CA
The Basement Tapes, Otis/Parsons Video Festival, Los Angeles, CA



Honors and Grants
Fulbright/Niarchos Fellowship 2020
Fulbright/Niarchos Fellowship 2017Durfee Foundation ARC grant, 2007Fondation Tenot Fellowship, Camac, France, 2007Fundacion Valparaiso (Almeria, Spain) fellowship, 2002California Community Foundation Fellowship, 2002Pollock-Krasner Foundation grant, 2001Blue Mountain Center Residency, NY, 1996WESTAF Fellowship in Sculpture, 1995-6Art Matters Fellowship, 1995Ragdale Foundation Residency Fellowship, Lake Forest, IL, 1994Philip Morris Residency, Yaddo Colony, NY 1993First Prize, Body and Soul, Warren Street Gallery, NY. 1992Fellowship, Skowhegan School of Painting and Sculpture, ME, 1992UCLA Art Council Grant, 1991, 1992School of the Arts Grant, UCLA, 1992Clifton Webb Graduate Award, UCLA, 1992Anna Bing Arnold Scholarship, UCLA, 1991Sidney Temple Award, UCLA, 1991 
Residencies

Athens School of Fine Arts, Greece Jan-Mar 2017Villa Montalvo, CA August 2009Banff Centre, Canada, August 2008CAMAC, Marnay-sur-Seine, France, Jan-Apr. 2007 Mackay Art Space, Queensland, Australia, 2004Fundacion Valparaiso, Almeria, Spain 2002Blue Mountain Center, NY, 1996Ragdale Foundation, Lake Forest, IL, 1994Yaddo Colony, NY, 1993Skowhegan School of Painting and Sculpture, ME, 1992Education

M.F.A.University of California, Los Angeles (UCLA), 1992 

B.F.A.Otis/Parsons, 1985

Public and Private Collections

State Museum of Contemporary Art, Thessaloniki, GreeceSweeney Art Gallery, UC Riverside
Pomona College Museum of Art, CAPeter Norton Family Foundation, CAMiami Museum of Contemporary Art, FLKamm Teapot Foundation, Los Angeles, CA&#38;nbsp;</description>
		
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		<title>Bio Contact</title>
				
		<link>https://annettakapon.com/Bio-Contact</link>

		<pubDate>Thu, 10 Nov 2016 03:59:19 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/Bio-Contact</guid>

		<description>BIO

Annetta Kapon works in Sculpture, Installation and Video. Kapon, born in Athens, Greece, lives in Los Angeles and has exhibited in the United States and abroad since 1982. She is Professor Emerita at Otis College of Art and Design, where she taught both studio and theory seminars.
Her work has been featured at Side Street Projects, Jewish Museum in Greece, the University of Chicago, LACE, Exit Art, Wexner Center for the Arts and the Biennale of Sydney among others.
She has had solo exhibitions at Shoshana Wayne Gallery, Armstrong/Schoenheit, French Institute and Zefxis in Greece, Carnegie Mellon University, U.C. Riverside, Southern Exposure in San Francisco, Las Cienegas Projects and Coachella Valley Art Center.
Kapon holds B.A. and M.A. degrees in English from the Aristotle University in Thessaloniki and the University of London, respectively. She then received her BFA from Otis/Parsons and her MFA from UCLA. She is the recipient of numerous artist residency fellowships, as well as WESTAF, Art Matters, Pollock/Krasner, Fulbright-Niarchos and California Community Foundation grants.
&#60;img width="2400" height="3600" width_o="2400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/9d93adef4f51b04b55089545c22ecbc0021c38d0a276fad2cf235d27f9995ce8/AKbyJanet.jpg" data-mid="2851242" border="0" data-scale="28" data-no-zoom src="https://freight.cargo.site/w/1000/i/9d93adef4f51b04b55089545c22ecbc0021c38d0a276fad2cf235d27f9995ce8/AKbyJanet.jpg" /&#62; photo credit:&#38;nbsp;Janet Dandridge


Contact me: studio@annettakapon.com


Public and Private Collections:

State Museum of Contemporary Art, Thessaloniki, Greece

Pomona College Museum of Art, CA
Peter Norton Family Foundation, CA
Miami Museum of Contemporary Art
Gloria and Sony Kamm Sweeney Art Gallery UC Riverside, CA
</description>
		
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	<item>
		<title>My writing-Review of Miyoshi Barosh</title>
				
		<link>https://annettakapon.com/My-writing-Review-of-Miyoshi-Barosh</link>

		<pubDate>Wed, 05 Apr 2017 23:30:56 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

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		<description>Miyoshi Barosh
by Annetta Kapon
BOMB 125/Fall 2013, ARTISTS ON ARTISTS

&#60;img width="1809" height="1346" width_o="1809" height_o="1346" data-src="https://freight.cargo.site/t/original/i/1f7da91f3ce1f47ba10750d25127b2b0540e007cf6b14ab9d8f689e40a703c33/Feel-Better.jpg" data-mid="2739656" border="0"  src="https://freight.cargo.site/w/1000/i/1f7da91f3ce1f47ba10750d25127b2b0540e007cf6b14ab9d8f689e40a703c33/Feel-Better.jpg" /&#62;
FEEL BETTER, 2012, acrylic and oil paint, high-density and upholstery foam on canvas, 93×132 x 8 inches. Images courtesy of Luis De Jesus, Los Angeles.
FEEL BETTER: The exhortation, wish, or command, chiseled in “stone” calls to me in huge upholstered capital letters from what looks like a black vertical gravestone in relief hung as a tapestry on the wall. On it and on the floor are shiny gold-colored nuggets or “rocks.”
Miyoshi Barosh’s 2012 installation concentrates in one piece her deft use of linguistic slippage, and the dark humor of double entendre. Through the intense materiality of language-as-sculpture, the work activates a kind of monumental craftsmanship that oscillates between the fleeting virtuality of a Facebook “wall” and the timeless finality of a tombstone. That the work is made of illusionistic movie prop materials (fabric, paint, foam, fake gold) adds to this collision.
The clash produces in the viewer a Brechtian estrangement effect, as when we are obliged to stand at a certain distance from the work, a distance that prevents us from being sucked in by the face value of language or the seduction of workmanship in the materials alone. According to the philosopher Ludwig Wittgenstein, “words are deeds.” Language is material; speech is not the opposite of action. Feel Better orders us to feel better (or else?); personal feeling becomes enforced as a marketable social product.
Labor also plays a big role in Barosh’s work—namely as the language of labor, and the labor of language. What appears as Pop craft such as knitting, sewing, or patchwork, is a gendered way for Barosh to engage in the labor that capitalist industry and high technology have supposedly liberated us from.

&#60;img width="1258" height="964" width_o="1258" height_o="964" data-src="https://freight.cargo.site/t/original/i/ec83ffeca4324a19a543ef77dd6e81b566684581998b3ae618b401d211a225fe/Myoshi-Feel-Better.jpg" data-mid="2739657" border="0"  src="https://freight.cargo.site/w/1000/i/ec83ffeca4324a19a543ef77dd6e81b566684581998b3ae618b401d211a225fe/Myoshi-Feel-Better.jpg" /&#62;Love, 2007, found afghans, acrylic yarn, and pom-poms on canvas, 96×114 x 10 inches.
The meaning of the artwork results neither from the straightforward declarative function of a linguistic message, nor from the materials or technique: In Love (2007), the speech action is situated within an orgy of garish afghans, embroideries, and knitting. At once triumphant, pathetic, and humble, Love carries within it primarily the collision and collusion between form and content but also the contradictory messages of a number of discourses, from the cheerful psychedelic designs of the ‘60s, to the invisible, devalued, and discarded labor of other women (euphemistically renamed “labor of love.”)
If we think of J. L. Austin’s and John Searle’s concepts of Speech Act Theory, what we have in front of us is the productive friction of declarative, directive, and expressive meaning: language is always in danger of being swallowed up by the context, and the medium is always resisting the tyranny of the message.
&#38;nbsp;
 — Annetta Kapon lives and works in Los Angeles producing video, sculpture, and installations. She teaches in the Graduate Fine Arts department at Otis College of Art and Design.</description>
		
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		<title>Cartoons</title>
				
		<link>https://annettakapon.com/Cartoons</link>

		<pubDate>Thu, 06 Apr 2017 21:39:22 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/Cartoons</guid>

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</description>
		
	</item>
		
		
	<item>
		<title>My Books</title>
				
		<link>https://annettakapon.com/My-Books</link>

		<pubDate>Sun, 27 Aug 2017 22:12:14 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/My-Books</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="2795" height="2048" width_o="2795" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e76f4bee0cae99ec16f80de6571a3c7727e9b7339eaadb2946797b061ca6d767/224.jpg" data-mid="55355437" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/e76f4bee0cae99ec16f80de6571a3c7727e9b7339eaadb2946797b061ca6d767/224.jpg" /&#62;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/42d10d96358fe650f9231bfa93a536ea94bb0ebb8c9050c6dbba8ec84a2a20fc/Screen-Shot-2020-02-06-at-7.49.15-AM.png" data-mid="60407610" border="0"  src="https://freight.cargo.site/w/1000/i/42d10d96358fe650f9231bfa93a536ea94bb0ebb8c9050c6dbba8ec84a2a20fc/Screen-Shot-2020-02-06-at-7.49.15-AM.png" /&#62;
&#60;img width="1456" height="396" width_o="1456" height_o="396" data-src="https://freight.cargo.site/t/original/i/088f770af1ec183f3d0cdf2c4ad37bea57563d5ac51e88dd4812ba0b460106b7/Screen-Shot-2020-02-06-at-7.48.54-AM.png" data-mid="60407609" border="0"  src="https://freight.cargo.site/w/1000/i/088f770af1ec183f3d0cdf2c4ad37bea57563d5ac51e88dd4812ba0b460106b7/Screen-Shot-2020-02-06-at-7.48.54-AM.png" /&#62;


&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/1a6091eff3bf64ec39c973844f9268a757d5872865528a560e87aabf502a0b9d/Screen-Shot-2020-02-06-at-7.49.48-AM.png" data-mid="60407612" border="0"  src="https://freight.cargo.site/w/1000/i/1a6091eff3bf64ec39c973844f9268a757d5872865528a560e87aabf502a0b9d/Screen-Shot-2020-02-06-at-7.49.48-AM.png" /&#62;
&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/1f4f2292e0791e701400f01cfa0e9b6bb900620d964fce06de03d759190ccfda/Screen-Shot-2020-02-06-at-7.53.18-AM.png" data-mid="60407621" border="0"  src="https://freight.cargo.site/w/1000/i/1f4f2292e0791e701400f01cfa0e9b6bb900620d964fce06de03d759190ccfda/Screen-Shot-2020-02-06-at-7.53.18-AM.png" /&#62;
&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/6523296ec90dd5170dcd9c498ec125d38e39857bfea6b1bbbc963543259af153/Screen-Shot-2020-02-06-at-7.50.42-AM.png" data-mid="60407614" border="0"  src="https://freight.cargo.site/w/1000/i/6523296ec90dd5170dcd9c498ec125d38e39857bfea6b1bbbc963543259af153/Screen-Shot-2020-02-06-at-7.50.42-AM.png" /&#62;

&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/29826e798d93c2171b7559ae33075dc6f3b152efe8422bc2118bad8b9bd11c43/Screen-Shot-2020-02-06-at-7.50.53-AM.png" data-mid="60407615" border="0"  src="https://freight.cargo.site/w/1000/i/29826e798d93c2171b7559ae33075dc6f3b152efe8422bc2118bad8b9bd11c43/Screen-Shot-2020-02-06-at-7.50.53-AM.png" /&#62;&#60;img width="216" height="161" width_o="216" height_o="161" data-src="https://freight.cargo.site/t/original/i/62052a11e6dfd6774567ff64a1c9df75f8264ec36e20df4629c102408ebcdf4e/98.small.jpg" data-mid="3046574" border="0"  src="https://freight.cargo.site/w/216/i/62052a11e6dfd6774567ff64a1c9df75f8264ec36e20df4629c102408ebcdf4e/98.small.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2048" height="2792" width_o="2048" height_o="2792" data-src="https://freight.cargo.site/t/original/i/3c2977a36243eae73b6938b8f35b840773c95dae128da8987da522d131000782/215.jpg" data-mid="55355409" border="0" data-scale="22" src="https://freight.cargo.site/w/1000/i/3c2977a36243eae73b6938b8f35b840773c95dae128da8987da522d131000782/215.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2432" height="3194" width_o="2432" height_o="3194" data-src="https://freight.cargo.site/t/original/i/569586614f98eaa7d6f878659c91ade9be29300eca65417c07293775f9ad0797/493.jpg" data-mid="56702681" border="0" data-scale="22" src="https://freight.cargo.site/w/1000/i/569586614f98eaa7d6f878659c91ade9be29300eca65417c07293775f9ad0797/493.jpg" /&#62;&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/d9ed690d86450d52b30f80d119b28f58725e91ea93e94d94cb739928c9f928c7/Screen-Shot-2020-02-06-at-7.49.34-AM.png" data-mid="60407611" border="0"  src="https://freight.cargo.site/w/1000/i/d9ed690d86450d52b30f80d119b28f58725e91ea93e94d94cb739928c9f928c7/Screen-Shot-2020-02-06-at-7.49.34-AM.png" /&#62;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#60;img width="1500" height="2370" width_o="1500" height_o="2370" data-src="https://freight.cargo.site/t/original/i/6e8638179d33e57fa9a4637cac4cdb06c66a6f87fbb2c8d66caf9e65e429a1ce/lamp_0033.jpg" data-mid="3045897" border="0" data-scale="22" src="https://freight.cargo.site/w/1000/i/6e8638179d33e57fa9a4637cac4cdb06c66a6f87fbb2c8d66caf9e65e429a1ce/lamp_0033.jpg" /&#62;
&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/6ebbcc23ee568c22b7ef8c83b132c38e19de5f7db110b6424b0ddbfbe04803fa/Screen-Shot-2020-02-06-at-7.51.05-AM.png" data-mid="60407616" border="0"  src="https://freight.cargo.site/w/1000/i/6ebbcc23ee568c22b7ef8c83b132c38e19de5f7db110b6424b0ddbfbe04803fa/Screen-Shot-2020-02-06-at-7.51.05-AM.png" /&#62;&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/786e2b3581b34167c0b6a6c46e06ad373855b61c4b84133d9e09412d3a7088d7/Screen-Shot-2020-02-06-at-7.52.34-AM.png" data-mid="60407617" border="0"  src="https://freight.cargo.site/w/1000/i/786e2b3581b34167c0b6a6c46e06ad373855b61c4b84133d9e09412d3a7088d7/Screen-Shot-2020-02-06-at-7.52.34-AM.png" /&#62;&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/5c990c8097c1dcd3e5630834873989ad76745bbc366845ca66f3c422d3ef30e4/Screen-Shot-2020-02-06-at-7.52.43-AM.png" data-mid="60407618" border="0"  src="https://freight.cargo.site/w/1000/i/5c990c8097c1dcd3e5630834873989ad76745bbc366845ca66f3c422d3ef30e4/Screen-Shot-2020-02-06-at-7.52.43-AM.png" /&#62;&#60;img width="1454" height="394" width_o="1454" height_o="394" data-src="https://freight.cargo.site/t/original/i/104553fcc05a0929b8fdf3c1a254b354ca5f249114b2dfb14c8fe3ede800072f/Screen-Shot-2020-02-06-at-7.52.57-AM.png" data-mid="60407619" border="0"  src="https://freight.cargo.site/w/1000/i/104553fcc05a0929b8fdf3c1a254b354ca5f249114b2dfb14c8fe3ede800072f/Screen-Shot-2020-02-06-at-7.52.57-AM.png" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="288" height="288" width_o="288" height_o="288" data-src="https://freight.cargo.site/t/original/i/a25dcdbdd2990a3b8fba4dc64da6b63349debaad2c76a07adaa9c4ba5208882f/15.Packing-the-Library-Small.jpg" data-mid="3046215" border="0"  src="https://freight.cargo.site/w/288/i/a25dcdbdd2990a3b8fba4dc64da6b63349debaad2c76a07adaa9c4ba5208882f/15.Packing-the-Library-Small.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Drawing</title>
				
		<link>https://annettakapon.com/Drawing</link>

		<pubDate>Fri, 07 Apr 2017 00:19:34 +0000</pubDate>

		<dc:creator>annettakapon.com</dc:creator>

		<guid isPermaLink="true">https://annettakapon.com/Drawing</guid>

		<description>
&#60;img width="1250" height="938" width_o="1250" height_o="938" data-src="https://freight.cargo.site/t/original/i/723a0eb55f3e4668797c37b33ed9ca45e0a0baed722a343d55c6f8c9f3db7d9e/Too-Small--Too-Large--just-Right.jpg" data-mid="2739302" border="0" alt="Too Small, Too Large, just Right, 1991, 3 panels 18&#38;rdquo;x26&#38;rdquo; each, ink on paper" data-caption="Too Small, Too Large, just Right, 1991, 3 panels 18”x26” each, ink on paper" src="https://freight.cargo.site/w/1000/i/723a0eb55f3e4668797c37b33ed9ca45e0a0baed722a343d55c6f8c9f3db7d9e/Too-Small--Too-Large--just-Right.jpg" /&#62;
&#60;img width="1250" height="938" width_o="1250" height_o="938" data-src="https://freight.cargo.site/t/original/i/f34da73e212c9bf13bffec3668aa460b424b460772a9590a8dd05802a23e8398/Untitled--1992--30x20--drawing.jpg" data-mid="2739304" border="0" alt="Untitled, 1992, 30&#38;rdquo;x20&#38;rdquo;, drawing" data-caption="Untitled, 1992, 30”x20”, drawing" src="https://freight.cargo.site/w/1000/i/f34da73e212c9bf13bffec3668aa460b424b460772a9590a8dd05802a23e8398/Untitled--1992--30x20--drawing.jpg" /&#62;
&#60;img width="938" height="1250" width_o="938" height_o="1250" data-src="https://freight.cargo.site/t/original/i/ac0f30c620d76a582e649e45c59e0a56c98872c7de1047430a81f8b034ebaa80/Caution--2000--acrylic-on-museum-board--32X40.jpg" data-mid="2739300" border="0" alt="Caution, 2000, acrylic on museum board, 32&#38;rdquo;X40&#38;rdquo;" data-caption="Caution, 2000, acrylic on museum board, 32”X40”" src="https://freight.cargo.site/w/938/i/ac0f30c620d76a582e649e45c59e0a56c98872c7de1047430a81f8b034ebaa80/Caution--2000--acrylic-on-museum-board--32X40.jpg" /&#62;



Additional Drawings:

Cartoons
&#38;nbsp; &#60;img width="1001" height="1483" width_o="1001" height_o="1483" data-src="https://freight.cargo.site/t/original/i/330fa0f7a1f3f880205248633053c52d077b9b9935f88fcc0a13a67bd44f2435/94.jpg" data-mid="3087617" border="0" data-scale="5" src="https://freight.cargo.site/w/1000/i/330fa0f7a1f3f880205248633053c52d077b9b9935f88fcc0a13a67bd44f2435/94.jpg" /&#62;&#38;nbsp;
	
	

Worst Case Scenarios

&#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/b138cdd69e13fc6c60d381a5b4f64ba2ac11417931b0d532babe49897d3c917d/10.Best-case-scenarios-feel-it.jpeg" data-mid="175718555" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/b138cdd69e13fc6c60d381a5b4f64ba2ac11417931b0d532babe49897d3c917d/10.Best-case-scenarios-feel-it.jpeg" /&#62;&#38;nbsp; &#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/027206dd824e5bccc510c1a81cb9f8e8bed1deeabdb718fa94807ceea8a393ff/9.Best-case-scenarios-thought.jpeg" data-mid="175719459" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/027206dd824e5bccc510c1a81cb9f8e8bed1deeabdb718fa94807ceea8a393ff/9.Best-case-scenarios-thought.jpeg" /&#62;&#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/0844a834113285ad2313c44bbe7b620defaa2e122e9982cb0649c08a50f68f65/1.-Best-Case-Scenarios-Xanax.jpeg" data-mid="175718546" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/0844a834113285ad2313c44bbe7b620defaa2e122e9982cb0649c08a50f68f65/1.-Best-Case-Scenarios-Xanax.jpeg" /&#62;&#38;nbsp;&#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/7b75a0d6675fd68a58026a777c65ce05a721c2b86d15f649091badaa34e829b2/-6.Best-case-scenarios-frog.jpeg" data-mid="175718551" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/7b75a0d6675fd68a58026a777c65ce05a721c2b86d15f649091badaa34e829b2/-6.Best-case-scenarios-frog.jpeg" /&#62; &#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/3bd13f4daf3b296f3a3089707cd0825b6728bc4a14d108f8cf6f4e5306dd3794/-7.Best-case-scenarios-subject.jpeg" data-mid="175718554" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/3bd13f4daf3b296f3a3089707cd0825b6728bc4a14d108f8cf6f4e5306dd3794/-7.Best-case-scenarios-subject.jpeg" /&#62;&#38;nbsp; &#38;nbsp; &#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/6c1100996175b225ff463b8d99f5155bb4f3f96b1ffc3e16bf431f3aaf212c66/3.-Best-Case-Scenarios-behead.jpeg" data-mid="175719152" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/6c1100996175b225ff463b8d99f5155bb4f3f96b1ffc3e16bf431f3aaf212c66/3.-Best-Case-Scenarios-behead.jpeg" /&#62;&#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/a7cfda448475e27dcb0ca64f6fa16da89637fb516871b2355d50ab30b3e9547c/5.-Best-case-scenarios-perf.jpeg" data-mid="175719148" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/a7cfda448475e27dcb0ca64f6fa16da89637fb516871b2355d50ab30b3e9547c/5.-Best-case-scenarios-perf.jpeg" /&#62;&#38;nbsp;&#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/7502e947d054eaf885975d83342a4562d980c0002fb0715c4764f0973acbbf0f/-8.Best-case-scenarios-horror.jpeg" data-mid="175719372" border="0" data-scale="50" src="https://freight.cargo.site/w/1000/i/7502e947d054eaf885975d83342a4562d980c0002fb0715c4764f0973acbbf0f/-8.Best-case-scenarios-horror.jpeg" /&#62; &#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/531f5733c629a5a139b9917ce6afc7cc4dca6b99c5ed6f7a6fa2b64cdb8b153a/4.-Best-case-scenarios-world.jpeg" data-mid="175719153" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/531f5733c629a5a139b9917ce6afc7cc4dca6b99c5ed6f7a6fa2b64cdb8b153a/4.-Best-case-scenarios-world.jpeg" /&#62;&#38;nbsp;&#60;img width="3302" height="2480" width_o="3302" height_o="2480" data-src="https://freight.cargo.site/t/original/i/180c6f7f9043a4446058f69c57037f698f83c5c41c5fb3cc0b5b90e9f8ac6401/2.-Best-Case-Scenarios-bicel..jpeg" data-mid="175719154" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/180c6f7f9043a4446058f69c57037f698f83c5c41c5fb3cc0b5b90e9f8ac6401/2.-Best-Case-Scenarios-bicel..jpeg" /&#62; &#38;nbsp; &#38;nbsp;</description>
		
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